Sabtu, 30 Oktober 2010

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Whiteout: The Cia, Drugs and the Press

  • Sales Rank: #2844047 in Books
  • Published on: 1994
  • Number of items: 2
  • Binding: Paperback

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0 of 0 people found the following review helpful.
Eye opening book about how the CIA is in bed ...
By Rick Davenport
Eye opening book about how the CIA is in bed with drug dealers or are in fact sponsoring their black ops with drug money.

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Minggu, 24 Oktober 2010

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This book is about nebulae-- massive clouds of cosmic gas and dust set aglow by the borrowed light of stars. In cosmic terms, a nebula is as fleeting as a sunset or a campfire, and to many casual stargazers, just as beautiful.

With stunning, full-color original images and easy-to-understand descriptions, this book helps you understand a little of the science and history behind these amazing cosmic assemblies. In this book you will discover...

* The 18th-century musician who turned to astronomy in search of a new challenge and discovered hundreds of nebulae and other sights in the deep sky beyond our solar system
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* An “accidental nebula” created by a rogue star that was slingshotted across the galaxy 2 million years ago by a supernova explosion
* A gnarled and glowing shock-wave in the constellation Cygnus that marks the remnants of a star that detonated in prehistoric times
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With dozens of colorful, high-resolution images captured by renowned astrophotographer Terry Hancock, this book will delight and educate “armchair astronomers” who wish to learn more about the workings of the universe.

  • Sales Rank: #590890 in eBooks
  • Published on: 2015-09-24
  • Released on: 2015-09-24
  • Format: Kindle eBook

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1 of 1 people found the following review helpful.
A wonderful way to begin astronomy.
By Peg Kinsman
Such a wonderful book for anyone interested in astronomy. Easy to understand and never have to leave the confines of an armchair.

1 of 1 people found the following review helpful.
Wonderful book. An absolutely amazing value
By E. Dietze
Wonderful book. An absolutely amazing value. Photos are amazing. You can't go wrong.

0 of 0 people found the following review helpful.
Five Stars
By cgilber
It was just what I've been looking for and helps to explain much that I didn't know

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Kamis, 14 Oktober 2010

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  • Sales Rank: #1123491 in Books
  • Binding: Paperback

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Sabtu, 09 Oktober 2010

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The chronicle of two readers finding each other, and their deadly struggle with forces beyond their understanding--all within the margins of a book conceived by Star Wars: The Force Awakens director J.J. Abrams and written by award-winning novelist Doug Dorst.

The book: Ship of Theseus, the final novel by a prolific but enigmatic writer named V.M. Straka, in which a man with no past is shanghaied onto a strange ship with a monstrous crew and launched onto a disorienting and perilous journey.

The writer: Straka, the incendiary and secretive subject of one of the world's greatest mysteries, a revolutionary about whom the world knows nothing apart from the words he wrote and the rumors that swirl around him.

The readers: Jennifer and Eric, a college senior and a disgraced grad student, both facing crucial decisions about who they are, who they might become, and how much they're willing to trust another person with their passions, hurts, and fears.

S. contains 22 inserts and will be delivered in a sealed slipcase.

  • Sales Rank: #4763 in Books
  • Brand: Abrams, J. J./ Dorst, Doug
  • Published on: 2013-10-29
  • Released on: 2013-10-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 1.75" w x 6.50" l, 2.36 pounds
  • Binding: Hardcover
  • 472 pages

Review
"The best-looking book I've ever seen. . . . The book is so perfectly realized that it's easy to fall under its spell. . . . If you want to write a romantic mystery meta-novel in which two bibliophiles investigate the conspiracy around an enigmatic Eastern European author, you couldn't choose a better team." --Joshua Rothan, New Yorker

"Impressively smart, engaging . . . Filled with secrets and stories that are endlessly beguiling and inviting . . . Reading S., and trying to decode everything [was] an incredibly enjoyable, fun experience, as well as a particularly immersive one. . . . For all its mysteries and intrigues, this is a book about the value of books, and what they can offer us that other storytelling mediums cannot." --Wired

"S. is gorgeous, a masterpiece of verisimilitude. . . . The book's spiritual cousin is A.S. Byatt's Possession. . . . The brilliance of S. is less in its showy exterior than the intimate and ingeniously visual way it shows how others' words become pathways to our lives and relationships." --Washington Post

"Both as literature and as a physical object, S. is a profound and tremendous work of art. . . . Brilliantly conceived and perfectly executed, the book harkens back to a golden age of storytelling. . . . An audacious literary achievement that calls to mind Vladimir Nabokov's Pale Fire, Chris Ware's Building Stories and even Charles Portis' Masters of Atlantis." --Miami Herald

"Reading S. is fun, and the book feels alive . . . Gloriously embroidered with marginalia and jammed with artifacts inserted between its pages . . . A celebration of the book as a physical thing." --Chicago Tribune

"Both as literature and as a physical object, S. is a profound and tremendous work of art."―The Miami Herald

About the Author
Emmy-Award-winning filmmaker J.J. Abrams has produced, directed, or written films and television shows including Star Wars: The Force Awakens, Fringe, Lost, Alias, Felicity, Star Trek, Cloverfield, Mission: Impossible, and more.

Doug Dorst teaches writing at Texas State University. He is the author of the PEN/Hemingway-nominated novel Alive in Necropolis and the collection The Surf Guru. His work has appeared in McSweeney's, Ploughshares, Epoch and elsewhere. Dorst is also a three-time Jeopardy! champion.

Most helpful customer reviews

929 of 971 people found the following review helpful.
My Review and a Guide to Reading the Book. ***UPDATED***
By Veltscroll
I read a lot of books, and I often love what I read, but I literally (no pun intended) have not been this excited about reading a book since I was a kid. It's not just the story (or should I say stories), or all the ephemera and the clever, well-produced presentation. It's how it all combines to actually make you feel like you're in on it. That you're trying to figure it all out right along with Jen and Eric. Reading and re-reading The Ship of Theseus for clues and inferences to what's happening in the "real world". The whole time watching as J&E's relationship evolves. Then, if you're really adventurous, and you start tapping Google to expand your research, you'll find that the experience goes beyond the book. (Google: Eotvos Wheel) ***I HIGHLY SUGGEST YOU DO THIS***

I'll admit: when I opened the book for the first time, the second thought that went through my mind (after "How frigging cool is this?") was, "How the heck am I gonna read this?"

So, for those of you asking that same question, let me tell you how I went about it:

As cool as all the inserts are, trying to keep them from falling out of the book as you're reading is a pain, so take them out and use post-it notes to mark what page they came from, then put them in an envelope that you can easily access.

Now, J&E's notes are not entirely in chronological order. You can generally go by the color of the ink between them to tell what phase of their story you're at.

First, there's Eric's pencil notes to himself about the actual book. Then, the convo between J&E begins when Jen picks up Eric's book and sees his notes and begins commenting on them in the margins. He sees this and writes back. Those early messages are Jen: Blue Ink - Eric: Black Ink

At some point after they go through the book a first time, they go through again. This time Jen: Orange Ink - Eric: Green Ink.

Then a third time Jen: Purple Ink - Eric: Red Ink

Finally, a fourth time (which seems to be after the denouement, in which they retrospectively discuss what has transpired). These are less frequent, and both Jen and Eric are in Black Ink.

***Read each chapter of the main text of SoT, ignoring all of Jen & Eric's notes. Upon finishing each chapter, you're going to want to go back and read only the blue/black notes and any referenced inserts. Then, move on to the next chapter. After you finish the whole book, go back and read only the orange/green notes and referenced inserts. Then purple/red, then black/black.***

However you choose to approach it, you're in for a treat. Even after finishing it, I'm still going back and looking for anything I may have missed. The journey was fantastic and the the destination was, well you'll see.

C.

237 of 254 people found the following review helpful.
If you can believe you're a part of it, you will absolutely love it.
By H. Parker Smith III
S. is one of the best books I’ve read. Period. But I believe I feel differently than the average reviewer because I made the conscious decision that I was going to “believe” before I started reading. You see, you can only enjoy this book if you go in accepting that you are not its first owner and that what you are reading was not intended for your eyes. The ability to become an active participant instead of a passive reader, I would imagine, is the difference between loving this book and hating it. I fall so far onto the “love” side of the spectrum that I simply cannot wait to read it again.

S. is really a story about 6 principal characters:

• S. – The main character in the novel "Ship of Theseus" who is suffering from amnesia. The novel follows S. as he desperately tries to figure out who he is and what his significance is to both the Ship of Theseus and the various ports at which it docks.

• V.M. Straka – an enigmatic author of the novel Ship of Theseus, the book which serves as stage to this mystery.

• The Translator (FXC) – a historian of Straka’s works who not only translates his novels into a variety of different languages but also pens commentary in the form of footnotes throughout Ship of Theseus.

• Eric – an exhausted theorist who believes the mystery of “Who is V.M. Straka” can be solved via subtext clues cleverly embedded throughout Ship of Theseus

• Jen – a student who stumbles upon Eric’s copy of Ship of Theseus and who’s penchant for researching the obscure and who's fresh perspective on the tale helps reveal that the initial question of “Who is V.M. Straka” is only the tip of a very, VERY large iceberg.

• YOU – You are the 3rd handler of this book. Jen and Eric have taken extensive notes in the margins and left dozens of pieces of ephemera tucked into the pages that serve as clues. You will use these clues to not only help solve the mystery of V.M. Straka, but also explore the mystery of why it is that you now have this book in your possession.

By reading S., you essentially become a character. In the same way that Eric and Jen attempt to solve a mystery about FXC and VM Straka, you must solve the mystery of Eric and Jen. Eric and Jen will often express frustrations over how they are not privy to the conversations and events that took place outside the pages of Ship of Theseus. This is not dissimilar to frustrations you, as the reader, will experience when Jen and Eric engage in meetings and ongoings outside of the book’s margins. It’s a brilliantly complex and maddeningly open-ended plot hurdle that you will regularly encounter throughout S.

The quantity of information that is thrown at you all at once is alarmingly difficult to comprehend. This is, of course, intentional. You may reach a page that has a postcard tucked into the binding, has 2 footnotes from FXC, has 11 margin notes from Eric and Jen (in 4 different ink colors), and, obviously, the continued Ship of Theseus novel. There is no good way to digest all of this, you simply have to read through it and absorb it as best you can before moving on. As you progress through the book, you pick up tricks for understanding when a note was written, who wrote it, and what the meaning is. Unfortunately, you’ll gain this perspective just in time to realize that – at some point – you’ll have to start the book all over again. However, while this is undeniably frustrating, it lends authenticity to the overarching plot of S., pulls you deeper into the story, and makes you feel like you really are solving a mystery. In this way, Eric and Jen become very real and you’ll feel like you can help them in the same way they are trying to help V.M. Straka.

S. is so much more than a book. It’s an experience. I continue to obsess over every detail, every clue, and every word contained in these pages. But, what’s funny about S., is that I wouldn’t recommend this book to most of my friends and family. Simply put, I just don’t think many people will “get it.” I don’t know how many people have the tolerance for ambiguity in the same way I do. I don’t know if other people will appreciate the complexity, the depth, or the details like I do. If The Da Vinci Code was the pizza of the literary world, then S. is the sushi. Most people probably won’t like it, but it will be passionately loved for by a few.

I could go on about this book for days. I would write more, but I have to go Google how to read a “rail-fence” cipher so I can continue solving this mystery :)

146 of 169 people found the following review helpful.
I really enjoy the concept of the book and JJ did a great job promoting the book with the trailers. I was hooked immediately.
By Ian Steiner
Even with that as the background, the book is a bit overwhelming when you try to tackle it. There are all the clue pieces, the dialogue between Eric and Jen and then the story itself. I was having a tough time trying to read the story and the banter while keeping it all together in my head. I decided to pull out the clue pieces(catalog the pages they are stuck between, it's important) and just read the story ignoring Jen and Eric. It's hard to do but I think it helps. The idea being I will read the story first, as Jen did, then go over it a second time reading Jen and Eric's banter at which point the clue pieces will be introduced. This will give me a greater depth of knowledge when trying to put the clues together.

I have not completed the story and don't want to drop any spoilers so this review is more of a guide book on how I thought the best way was to tackle the mystery. I'm sure other people will have different ideas and my plan may change as I progress so I will add updates as I move through the process.

If anyone reading this has a better ideas or thoughts to share please comment below, would love your feedback.

Ian

EDIT:
1) If you elect to read the book as I am(story first), DO NOT read Eric and Jen's banter. Clues are dropped that you will not want revealed.

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Rabu, 06 Oktober 2010

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The Challenge of the Actor: Freeing the Actor Within, by Eric Stone

The Challenge of the Actor: Freeing the Actor Within, by Eric Stone



The Challenge of the Actor: Freeing the Actor Within, by Eric Stone

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The Challenge of the Actor: Freeing the Actor Within, by Eric Stone

Acting is a tool for freedom of expression and choice, a mirror of possibility for humankind. Acting is a powerful medium for reflecting authenticity in the human experience.

Hollywood Actors Studio is dedicated to providing excellent and distinct training and to promoting the actor as artist in the community.

The Studio is a safe, fun and supportive environment for artistic discoveries and personal growth. We train people in revealing their true talents and realizing their potential.

Our purpose is to offer top-notch acting, self-expression and public speaking training programs to enhance communication and liberate the individual’s creativity and expression.

We deliver clear distinctions via tools and techniques, which bring lasting advancements in artistic expression, growth and development, personal effectiveness and passionate communication.

In this book, you will find distinctions in the craft of acting which aim at giving acting a context as an art form that can be learned and practiced, not a vague talent that some people are born with and others not.

This manual is designed to facilitate your understanding, study and pursuit of acting as a craft.

You will also find in it definitions and insights about the basic language and terminology of the craft as well as clarifications on fundamental concepts and ideas.

By developing a clear understanding of the craft, and by creating a healthy context for the study of acting, it is much easier to develop and become skilled and competent. It also helps develop respect for acting as a craft and an art form—something that can touch, affect and communicate with people.

The worst enemies of actors are not the job market, Hollywood, corrupt and incompetent agents or producers. Competition is not the fundamental problem either. Breaking into the various fields of acting is extremely difficult but I don’t believe anyone truly thinks that acting is easy.

Lack of skill and competence and the willingness to become competent and effective as an actor is what stops the majority of would-be actors. Lack of tenacity and endurance are also major factors.

Other traps and limitations that can affect the pursuit of acting negatively are:

• Self-defeating thoughts

• Tension, struggle and lack of flexibility

• Self-consciousness or chronic timidity

• Lack of stage manners or body control

• Improper use of imagination

• Low level of skills: too few tools and techniques to draw from

• Inadequate communication skills

• Lack of professionalism, concentration and/or focus

• No passion, desire or will power

• Unresolved personal issues

• Destructive habits and un-released negativity

  • Sales Rank: #5908808 in Books
  • Brand: Brand: CreateSpace Independent Publishing Platform
  • Published on: 2012-07-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .33" w x 7.00" l, .58 pounds
  • Binding: Paperback
  • 144 pages
Features
  • Used Book in Good Condition

About the Author
The Eric Stone Studio approach to teaching the craft of acting is highly creative and rooted in time-tested and rigorous principles. The strength of this method is that it is entirely focused on training the individual as opposed to delivering a general "system." The result of this process is that it succeeds in developing strong, independent and free-spirited artists. By aiming straight at the individual, it becomes easier to understand the actor's specific needs. The training is rich in tools, insights and techniques that make sense rather than concepts and theories that remain intellectual. In this system, the theories and concepts are an integral part of the tools and techniques. It produces immediate results and makes acting tangible and real. Talent is viewed as the quality of the choices an actor makes and technique becomes the means to allow talent to be expressed with conviction and resolve. A long-time professional stage, television and voice-over actor and director, Eric Stone is the founder of the Hollywood Actors Studio in Beverly Hills, CA. He has contributed to the growth and development of many actors and performers since 1989, including some well-known stars in the U.S. and abroad. Drawing inspiration from great masters such as Herbert Berghof, Uta Hagen, Lee Strasberg, Stella Adler, Sandy Meisner, William Hickey, and Bob McAndrew from the Wynn Handman Studio in New York, with whom he worked for many years, Eric Stone also studied under Judith Unland in New York, who is one of the few teachers alive today who worked personally with the great Michael Chekhov from Russia, who was considered one of Stanislavski’s brightest students. Marilyn Monroe, Clint Eastwood, Anthony Quinn, Ingrid Bergman, and Jack Nicholson were some of the many wonderful actors who were greatly influenced by this extraordinary master. A published author and passionate about art, Eric Stone, also known as the artist Philippe Benichou, is an internationally acclaimed award-winning visual artist represented in seven countries and displayed in many private collections worldwide. Some of his recent credits as an actor and director include Igor Stravinsky’s A Soldier’s Tale for the Pittsburg Opera with musicians from the London, Chicago and Philadelphia Symphony Orchestras. “Acting is a tool for freedom of expression and choice, a mirror of possibility for reflecting authenticity in the human experience.” - Eric Stone

Most helpful customer reviews

0 of 0 people found the following review helpful.
Acting insight like never before.
By Marc Siciliani
THE CHALLENGE OF THE ACTOR ~ FREEING THE ACTOR WITHIN by Eric Stone
Is one of the most innovative and insightful books on the technique and craft of being an actor and to what a student of the craft of acting must need to pursue the craft of being a professional actor. Eric Stone is a man of true understanding to the craft of acting and what an actor must have to be able to compete in the very competitive career as an actor. Eric has spent twenty years crafting this amazing and clear work book for all who journey into the world of acting as a career and a hobby.

THE CHALLENGE OF THE ACTOR ~ FREEING THE ACTOR WITHIN is easy to read and follow in learning step by step lessons on how to know exactly what an actor must be able to have as a craft in order to be a true master of being a true actor. Whether you are beginning or you are an advanced student, the information in this book will be useful and helpful no matter what stage you are at. Eric has the insight of years of study as an actor and teacher to help all those entering this very competitive field. This book is designed to help at what ever level one is at. Eric takes from knowledge of his own experience and of the teachers he has studied with and how their techniques effected him to create his own personal insight to this craft.

THE CHALLENGE OF THE ACTOR ~ FREEING THE ACTOR WITHIN, is a must read for those interested in knowing and mastering the many areas of study that one must know to be a unique, full and insightful actor in todays world of being an actor. Whether on stage or in film, amateur or professional this book is a must have in order to be all that you must be in the very personal craft of acting.

0 of 0 people found the following review helpful.
Must read for aspiring actors
By AL Johnson, Score One Media
As a producer/engineer who works with actors on a daily basis, I will be recommending this book to many of them. Eric's insight is rare and his experience lends a practical approach to learning the craft of acting. He is a superb actor and coach who has now provided a wonderful tool for anyone interested in developing as an actor.

From nuts and bolts to the deeper concepts, there's a wealth of ideas that will benefit not only actors but directors as well. Even seasoned professionals will find thought-provoking inspiration in these pages.

This one is definitely on my gift list.

0 of 0 people found the following review helpful.
Great Study
By D
I am the would-be actor. I have never read a book so thorough. As I was reading there was no question how easily I could put these techniques into action. I especially liked the underlying theme of the importance of self-esteem and confidence, and how to get there.

The Challenge of The Actor is an easy read with short, concise sentences that inspire. The more I read, the more ready I felt. Eric really knows his craft and though there is no replacing the teacher, this book is as close as it gets.

The insights are real-life, no greater tool.

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