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Herman Melville towers among American writers not only for his powerful novels, but also for the stirring novellas and short stories that flowed from his pen. Two of the most admired of these — "Bartleby" and "Benito Cereno" — first appeared as magazine pieces and were then published in 1856 as part of a collection of short stories entitled The Piazza Tales.
"Bartleby" (also known as "Bartleby the Scrivener") is an intriguing moral allegory set in the business world of mid-19th-century New York. A strange, enigmatic man employed as a clerk in a legal office, Bartleby forces his employer to come to grips with the most basic questions of human responsibility, and haunts the latter's conscience, even after Bartleby's dismissal.
"Benito Cereno," considered one of Melville's best short stories, deals with a bloody slave revolt on a Spanish vessel. A splendid parable of man's struggle against the forces of evil, the carefully developed and mysteriously guarded plot builds to a dramatic climax while revealing the horror and depravity of which man is capable.
Reprinted here from standard texts in a finely made, yet inexpensive new edition, these stories offer the general reader and students of Melville and American literature sterling examples of a literary giant at his story-telling best.
- Sales Rank: #67888 in Books
- Published on: 1990-07-01
- Released on: 1990-07-01
- Format: Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 8.38" h x .27" w x 5.22" l, .21 pounds
- Binding: Paperback
- 112 pages
From the Back Cover
Herman Melville towers among American writers not only for his powerful novels, but also for the stirring novellas and short stories that flowed from his pen. Two of the most admired of these—"Bartleby" and "Benito Cereno"—first appeared as magazine piece and were then published in 1856 as part of a collection of short stories entitled The Piazza Tales.
"Bartleby" (also known as "Bartleby the Scrivener") is an intriguing moral allegory set in the business world of mid-19th-century New York. A strange, enigmatic man employed as a clerk in a legal office, Bartleby forces his employer to come to grips with the most basic questions of human responsibility, and haunts the latter's conscience, even after Bartleby's dismissal.
"Benito Cereno," considered one of Melville's best short stories, deals with a bloody slave revolt on a Spanish vessel. A splendid parable of man's struggle against the forces of evil, the carefully developed and mysteriously guarded plot builds to a dramatic climax while revealing the horror and depravity of which man is capable.
Reprinted here from standard texts in a finely made, yet inexpensive new edition, these stories offer the general reader and students of Melville and American literature sterling examples of a literary giant at his story-telling best.
Dover (1990) republication of standard texts of works originally published in The Piazza Tales, 1856. Note to Dover Edition.
About the Author
Herman Melville (1819–1891) found early success with stories inspired by his adventures in the South Seas. His fortunes declined with the 1851 publication of Moby-Dick, now recognized as a masterpiece but scorned by Melville’s contemporaries. The author was obliged to work as a New York City customs inspector and died in obscurity, three decades before the critical reassessment of his work.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Forced to buy this for school
By Jo Nah
Although I hate this book it was delivered on time and is as advertised.
10 of 12 people found the following review helpful.
Bartleby: A case study in clinical depression
By A Customer
Bartleby is the story of a classic (though in those days undiagnosed, of course) case of what we now call "clinical depression." His symptoms--especially his utter passivity and his complete indifference to his own fate to the point of paralysis and eventual death from starvation--fit the textbook definition of the disorder down to the last detail. And of course, when the reader discovers at the very end of the story that Bartleby had lost his previous job, we have the final piece to the puzzle--the likely catalyst for his mental illness. Unfortunately, cases like this happen all the time in real life.
This is a superbly well-written but very disturbing--even haunting--story that will send a shudder of recognition through anyone who has ever known a victim of this crippling psychological disorder.
3 of 3 people found the following review helpful.
Bartleby , the Underground Man, The Overcoat
By Shalom Freedman
This review is of one of the long stories, or novellas that constitute this volume, 'Bartleby, the Scrivener' , and not of ' Benito Cereno'. 'Bartleby'is one of the great pieces of American and of Existensial Literature. It's hero, ' Who prefers not to' in some way compares with those other lonely nineteenth century city-dweller isolatos, Dostoevsky's Underground Man, and Gogol's Akakay Akakayevitch. He too has a cousin in much of Kafka's literature perhaps most especially in 'The Metamorphosis'.
The good- natured lawyer narrator, the employer of Bartleby who tells the story would seem to come from a world of ordinary pleasures, family and understanding. Thus his amazement at the worldless Bartleby who cannot say 'yes' to anything even kindness or human consideration.
Bartleby says ' no' and in saying ' no' he somewhow hangs on to, and affirms his own distinct identity and individuality. He is in one sense the anti- hero whose integrity is simply in refusing to follow and obey convention and the ordinary temptations of mankind.
At the same time he is obviously a no-body and a nothing, one who by saying 'no' also denies his own common humanity.
One of the paradoxes of this great story is the somewhat majestic , humorous and ironic tone of the narrator who so calmly presents a tale of isolation bordering on horror.
Close to one- hundred years later a writer far more popular in his time than Melville managed to be in his , J.D. Salinger would present in Holden Caulfield another example of the American naysayer to Society's demands, and hypocrisies. Old Holden however as opposed to Bartleby will be ' quite articulate'. When he prefers not to he will tell us all about it. Enigmatic Bartleby on the other hand charms us by his silence, and his one- track refusal to compromise. He seems to say to us , that even if we think we understand him, we cannot.
And this too is part of this work's special mystery and power.
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