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"... its encyclopedic style will find it a place in the library of everyone interested in the subject."Â —Kirkus Reviews
"This exciting and informative encyclopedia... is a worthy and welcome addition to our library on world-wide cartooning... this is a marvelous compendium, one that belongs on the coffee-table and on the scholar’s shelf." —Journal of Popular Culture
"... this valuable effort... promises to be the basic reference on its subject for some time to come."Â —Booklist
"Enthusiastically recommended as both a fascinating story and an incredible reference resource for both scholars and aficionados of the art of film." —Choice
"Best of all, though, are the author’s unexpectedly clever insights."Â —Los Angeles Times Book Review
"This encyclopedic survey of commercial and fine art animation is well illustrated and international in scope; few new books on animation contain as much material as this important volume." —Wilson Library Bulletin
The long-awaited English-language edition of a classic study of world animation, ÂCartoons provides the first comprehensive, detailed history and critique of cinema animation world-wide. Over 70 countries, 2,000 animators, and 3,000 films are covered in this lavishly illustrated, authoritative, and encyclopedic account.
- Sales Rank: #260187 in Books
- Published on: 1995-01-22
- Released on: 1995-01-22
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x 1.42" w x 7.75" l, 3.29 pounds
- Binding: Paperback
- 540 pages
From Library Journal
This chronological history analyzes animated film as an autonomous art form that has nevertheless been affected by the economics of live-action cinema as well as social and political forces (e.g., the dislocation of Continental Europe's animators by World War II). This comprehensive study describes concepts and practice, profiles innumerable animators, and concludes with a chapter on computer animation. Because of truly global coverage (from Mali to Mongolia), Cartoons introduces such important animators as Russia's Alexandre Alexeieff and Scotland-born Canadian master Norma McLaren while providing details on familiar names like Disney, Walter Lantz, and Tex Avery. Despite the subject's popularity, this should not be considered a coffee-table book but a scholarly reference whose notes and bibliography are valuable sources for further study. Purchase for comprehensive film and art collections.
Kim Holston, American Inst. for Chartered Property Casualty Underwriters, Malvern, Pa.
Copyright 1995 Reed Business Information, Inc.
From Booklist
Although animation has finally begun to be thought worthy of serious attention, the spate of books on it in recent years has focused primarily on commercial Hollywood animation. Bendazzi ambitiously attempts to fill the gap. He covers more than a century's worth of animation, from the 1888 th{‚}e{ƒ}atre optique (a device for projecting moving painted images that predates motion picture pioneers Edison and Lumi{Š}ere) to today's cutting edge computer-animation technology. He covers American animation, of course, but also describes developments in more than 70 other countries, in many of which animation emerged more as an art form than a box office draw. His work is not without shortcomings: the writing (the translation, anyway) is occasionally awkward, and despite or because of its exhaustive depth and scholarly approach, the text seldom conveys the delightfulness that makes the best cartoons so compelling. Carping aside, this valuable effort, already well received in France and Italy, promises to be the basic reference on its subject for some time to come. Gordon Flagg
Review
Few works have been so anticipated as Anna Taraboletti-Segre's splendid translation of Bendazzi's comprehensive history of animation cinema. This work reviews the decades of development in animation, from individuals like Emile Reynaud and Emile Cohl through the studios of Disney and the National Film Board of Canada into the revolutionary realm of computer animation. The thoroughness of Cartoons is evident in its international scope, for example, its inclusion of the exciting and neglected work produced in Latin America and Asia. This marvelous encyclopedia is brilliantly illustrated with dazzling color plates. Its scholarly breadth, richness, and attention to detail, along with its amazingly readable and engaging narrative, make this the most indispensable text on world animation history. Enthusiastically recommended as both a fascinating story and an incredible reference resource for both scholars and aficionados of the art of film.T. Lindvall, Regent University, Choice, April 1995
(T. Lindvall, Regent University Choice 1995-01-00)"Enthusiastically recommended as both a fascinating story and an incredible reference resource for both scholars and aficionados of the art of film." —Choice
(Choice)Most helpful customer reviews
6 of 6 people found the following review helpful.
Great Documentation of Artistic Animation. Not your average animation history book.
By Terri Yang
It's clear that the author derives the majority of his references from Europe's history of Animation, which might explain why many people have not heard of the animators he talks about. But considering that these artists did take part in the history behind animation, it is good that Bendazzi made the effort to bring their names to light. He makes some remarks and does look at other countries, such as America's infamous Walt Disney and Japan's rising anime films, but for the most part, he concentrates on the growth within Europe's artistic groups.
This book is less about the big names in cinematic animation and more about the independent artists and studios who worked in animation during a time when the animator's names and the dates their works were created weren't exactly recorded and copyrighted properly. Many of the animators here can also be identified as fine artists, often working experimentally within the media. This is how animation as cinema started (way before the time of Walt Disney and his overshadowing fame) and is continuing to be produced on the other side of Hollywood.
This book definitely has a text-book feel, but as far as a text book goes, it's not too terribly dry. It's informative and gives a very in-depth look at animation, from its beginning as optical illusions to the cinematic phenomena it has become today.
Also, as a final personal comment, this book is like a documentation of the independent films (as well as mainstream films) of the animation industry. Most people will not have seen them (unless they have access to an animation/video library), but that doesn't mean the films aren't important to history.
17 of 24 people found the following review helpful.
Better with some revisions.
By A Customer
As a brazilian animator I tried to start to read this book by the Latin american section, and comprehensively, by the one that shows the status of animation in my country, Brazil, a reality that I know very well.I don't know where Mr. Bendazzi got his informations for this part of the book.What I know is that it's full of strange or, at least unknown names of people for most of the brazilian animators, illustrators figuring as animators, besides the absence of five or six of the really most important animators in my country.Because of all that,I'm affraid the rest of the book, at least in those sections telling about the animation in Latin America still needs to be revised.
2 of 2 people found the following review helpful.
A excellent resource
By Celeste
I love and I am actually studying animation, and this book is excellent and very interesting, not only for us the animators, but for everyone who likes history. My mother was an professor of History, tells me how interesting is this book every time she takes a look. The book has a enormous resource about the animation, since the first toys that made animation in our eyes while moving it, until actual animation. I admire all those who made animation, because for a short or long animation, of whichever method, we need to be crazy enough to be able to make one! I recommend it to everyone, this book is not only made for studying, it is also entertaining, until the point that I want to carry it everywhere I go and take a little read each time.
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